About Cordoba / Ciurkot
Ignacio Cordoba, an improviser and composer from Madrid based in Copenhagen, and Agata Ciurkot, a Polish pianist, improviser and composer residing in Berlin, first met in the fall of 2017 at the Rhythmic Music Conservatory in Copenhagen. Both navigating across jazz, free-improv, and contemporary composition, Agata was drawn to Ignacio’s mastery of the sound produced by his machines and effects. Instead of aiming to dismantle everything and shatter all norms, Cordoba seemed to delicately forge new rules in a fresh musical game. Inspired by this approach, Agata wanted to transport the piano into that same space. She invited Ignacio to join her, accompanying her on a journey to process the grand piano through effects that would render it unrecognisable. As they played together, they sensed a profound connection: one space, two minds, and two hearts slowing down their beats to resonate together. Agata is involved in several projects, ranging from her solo piano music to the Agata Ciurkot Trio, Travelaid, and FYRM. Cordoba has released more than 16 records, toured relentlessly (more than 200 shows over six European tours through seventeen countries) and has worked with prolific musicians such as Michael Pisaro, Pamelia Kurstin, G.W. Sok (The EX), Kresten Osgood, John Russell, Maggie Nicols, Kazehito Seki and many more.
About Luminiferous Aether
“Luminiferous Aether” is the first single and opening track of Ignacio Córdoba and Agata Ciurkot’s album “Ephemeral, Basal”, out January 17th, 2025, via Pink Cotton Candy. This improvisation-based composition – blending jazz, ambient, modern classical and electronic music – is a romantic ballad that intertwines processed piano with repurposed industrial oscillators. In the realm of science, luminiferous aether was once understood as the medium through which light travels – a concept long abandoned. This composition seeks to invoke exactly that sense of light’s apparent wave-based ability to move through empty space, and the record as a whole becomes a metaphorical love letter to the lights and shadows of the unknown. An anonymous word triggers Ciurkot’s piano in a sonic vacuum and Córdoba’s synthesizer joins in with shimmering pulses and bass-heavy heartbeats. Together, the instruments and musicians converge, filling the space with bright, ethereal emotion, as if reaching a spatial plenum—a realm entirely suffused with luminiferous aether. Flares, echoes, sound waves, blinding lights, harmonies, reflections, and distortions weave in and out of darkness, culminating in a climactic coda of nearly doom-like piano chords and resonant 808 kicks. “Ephemeral, Basal” was recorded in Berlin and Copenhagen, the cities where the artists reside.